Chords Tera Hone Laga Hun by Atif Aslam

Guitar Chords Tera Hone Laga Hun by Atif Aslam

Song: Tera Hone Laga Hun
Singer: Atif Aslam
Movie: Ajab Prem Ki Ghazab Kahani

Chords Used in the song are:

G#(466544) Cm(x35543) Fm(133111)

G#..Cm...Fm..G#
Tera hone lagaa hun..khone laga hun..Jab se mila hun

G#..Cm...Fm..G#
Tera hone lagaa hun..khone laga hun..Jab se mila hun

G#..Cm..Fm
HO Aise to mann mera pehle bhi raaton mei aksar hee chaahat ke haan

G#..............................G#
Sapne sanjota thaa, Pehle bhi dhadkan ye dhun koi gaati thi

Cm..Fm..G#
Par ab jo hota hai wo pehle na hota tha

G#..Cm...Fm..G#
Tera hone lagaa hun..khone laga hun..Jab se mila hun

G#..Cm...Fm..G#
Tera hone lagaa hun..khone laga hun..Jab se mila hun

G#
Aankhon se choo lun ke baahen tarastee hain

Cm..Fm..G#
Dil ne pukaara hai haan Ab to chale aao

G#
Aa oge shabnam ki boonden barasti hain

Cm..Fm..G#
Mausam ishaara hai haan Ab to chale aao

G#..Cm...Fm..G#
Tera hone laga hoon khone laga hoon Jab se mila hoon

G#..Cm...Fm..G#
Tera hone laga hoon khone laga hoon Jab se mila hun

Chords Theory: Modes

The last topic I'm going to cover is modes. The reason I'm including them is that they fit in so well with chord theory (as does the major scale, which I mentioned much earlier). A mode is
simply a displaced scale. The ones I will show are a C major scale (no sharps or flats), displaced to D, E, F, etc. The modes are commonly used in jazz improvisation, but they also appear very often in rock music. The one thing to remeber about soloing in the modes is that you need to change modes according to the chord changes, and also you need to resolve to the root when you make these changes. The diagrams below show one position for the modes, with the most up-
to-date method of fingering (but certainly not the only). If you are soloing in the F - Lydian mode, and need to change to G - Lydian, you just slide everything up two frets.

I = Ionian
II = Dorian
III = Phrygian
IV = Lydian
V = Mixolydian
VI = Aeolian
VII = Locrian

F - LYDIAN G - MIXOLYDIAN A - Aeolian (minor "pure" scale)
E A D G B e E A D G B e E A D G B e
================ ================ ================
+--+--+--+--+--+ +--+--+--+--+--+ +--+--+--+--+--+
(*) | | | | | | | | | | | | | | | | |
+--+--+--+--+--+ +--+--+--+--+--+ +--+--+--+--+--+
| * * * | | | | | | | | | | | | | |
+--+--+--+--+--+ +--+--+--+--+--+ +--+--+--+--+--+
* * (*) | * * (*) * * | | | | | | | | |
+--+--+--+--+--+ 3 +--+--+--+--+--+ +--+--+--+--+--+
| | | * | | | | | * | | | | | | | |
+--+--+--+--+--+ +--+--+--+--+--+ +--+--+--+--+--+
* * * * * * * * (*) * * * (*) * * * | |
+--+--+--+--+--+ +--+--+--+--+--+ 5 +--+--+--+--+--+
| | | | (*) | | | | | * | | | | | * |
+--+--+--+--+--+ +--+--+--+--+--+ +--+--+--+--+--+
| | | | | * * * * * | * * * (*) * | *
+--+--+--+--+--+ +--+--+--+--+--+ +--+--+--+--+--+
| | | | | | | | | | (*) * * * | | * *
+--+--+--+--+--+ +--+--+--+--+--+ +--+--+--+--+--+
| | | | | | | | | | | | | | * * | |
+--+--+--+--+--+ +--+--+--+--+--+ +--+--+--+--+--+
| | | | | | | | | | | | | | | | (*) *
+--+--+--+--+--+ +--+--+--+--+--+ +--+--+--+--+--+


B - LOCRIAN C - IONIAN D - DORIAN
E A D G B e E A D G B e E A D G B e
================ ================ ================
+--+--+--+--+--+ +--+--+--+--+--+ +--+--+--+--+--+
(*) * * * | | (*) * | | | | (*) * * * | |
7 +--+--+--+--+--+ 8 +--+--+--+--+--+ 10 +--+--+--+--+--+
* * | | * * | | * * | | | | | | | |
+--+--+--+--+--+ +--+--+--+--+--+ +--+--+--+--+--+
| | (*) * | | * * (*) * * * * * (*) * * *
+--+--+--+--+--+ +--+--+--+--+--+ +--+--+--+--+--+
* * * * * * | | | | | | * | | | * *
+--+--+--+--+--+ +--+--+--+--+--+ +--+--+--+--+--+
| | | | | | * * * * * * | * * * | |
+--+--+--+--+--+ +--+--+--+--+--+ +--+--+--+--+--+
| | | | (*) * | | | | (*) * | | | | (*) *
+--+--+--+--+--+ +--+--+--+--+--+ +--+--+--+--+--+
| | | | | | | | | | | | | | | | | |
+--+--+--+--+--+ +--+--+--+--+--+ +--+--+--+--+--+
| | | | | | | | | | | | | | | | | |
+--+--+--+--+--+ +--+--+--+--+--+ +--+--+--+--+--+


E - Phrygian
E A D G B e
================
(*) * * * | |
12 +--+--+--+--+--+
* | | | * * The root notes are in parentheses ().
+--+--+--+--+--+ The number on the left shows what fret
| * (*) * | | number to start at.
+--+--+--+--+--+
* * * | * *
+--+--+--+--+--+
| | | * | |
+--+--+--+--+--+
| | | | (*) *
+--+--+--+--+--+
| | | | | |
+--+--+--+--+--+
| | | | | |
+--+--+--+--+--+

Notice the repeating shapes of the modes. Unlike the scales you may have previously learned, there is a repetitive pattern to the modes that makes them easy to remember. A seven string guitar would actually show the relationship between modes more clearly. This is what the Aeolian mode would look like on a seven string guitar:

?||---|-*-|---|-*-|-*-|---|---|
?||---|-*-|---|-*-|-*-|---|---|
?||---|-*-|-*-|---|-*-|---|---|
?||---|-*-|-*-|---|-*-|---|---|
?||-*-|---|-*-|---|-*-|---|---|
?||-*-|---|-*-|---|-*-|---|---|
?||-*-|---|-*-|---|-*-|---|---|

There are seven different modes listed above, each one has this pattern, only slightly altered: they each start at a different fret, and at a different spot in the above pattern. Since there are only six strings, the seventh pattern is left off. Also, unlike the fictional guitar in the above example, the B and high-e strings are tuned higher, so the pattern on those two strings is pushed up one fret higher.

This is following the pattern first shown in the circle of fifths. Each "-" represents a half step:

I--II--III-IV--V--VI--VII-I....etc

If C is the I chord, then the III and IV chords will be E and F, and the VII chord will be B (notice that there is only a half step from E to F, and from B to C). Therefore the above diagram could also look like this, using Roman numerals:

?||----|-II-|----|III-|-IV-|----|----|
?||----|-VI-|----|VII-|-I--|----|----|
?||----|III-|-IV-|----|-V--|----|----|
?||----|VII-|-I--|----|-II-|----|----|
?||-IV-|----|-V--|----|-VI-|----|----|
?||-I--|----|-II-|----|III-|-IV-|----|
?||-V--|----|-VI-|----|VII-|-I--|----|
^
|
I put these in to show why there are so many different fingerings for the same scales. Just
as in tuning, if you go down one string and back five frets, you get the exact same note.


A very good way to practice the modes (or any scale) is to do backsteps. Play the first four notes of the scale, then the 2nd - 5th, then the 3rd - 7th, etc, all the way up, then backwards all the way down.

In tab for the Ionian mode in G:

e||----------------------------------------------------------------
B||----------------------------------------------------------------
G||------------------------------------------------------4-----4-5-
D||-------------------------------4----4-5---4-5-7-4-5-7---5-7-----
A||-------3-----3-5---3-5-7-3-5-7---5-7----7-----------------------
E||-3-5-7---5-7-----7----------------------------------------------


e||---------------------------------------5-----5-7---5-7-8-
B||---------------5-----5-7---5-7-8-5-7-8---7-8-----8-------
G||---4-5-7-4-5-7---5-7-----7-------------------------------
D||-7-------------------------------------------------------
A||---------------------------------------------------------
E||---------------------------------------------------------

and then repeat in reverse order.

The best modes to concentrate on at first are the Ionian, Dorian, and Aeolian. These are the most common, and often are used in jazz improvisation.

Chords Theoery: Chord Substitution

Remember this chart from earlier? It shows the common chords for each key.

I = major
II = minor 7
III = minor 7
IV = major
V = dominant 7
VI = minor (relative minor)
VII = diminished

The following chart displays common chord substitutions for the M, m, m7 and diminished chords shown above.

Major: 6, M7, M9, sus2, sus4, sus2sus4, Madd9, 6add9, M7#11, M9#11
Minor: m, m6, mM7, mM9, mM7#11, m6add9
m7: m7, m9, m11, m13, m7#5, m7b5
7: 9, 11, 13, 7sus4, 7sus2, 13sus4, 7b5, 7#5
dim: m7b5


I haven't included everything, because you can easily tell which category a chord belongs to. Cmajor13 substitutes for any major (I, IV). G7b5b9 susbstitutes for a dominant 7 chord, etc. There are also a few chords that are not shown in the diagrams, but you should be able to figure those out too. Cmajor 13 is 1 3 5 7 9 and 13, G7sus2 is 1 2 5 b7, etc.

It is important to keep in mind that these are guides, not rules, and there will be many times when you'll want to break them, which is fine. If it sounds good, then it is right.

The following is a more in depth description of several chords and their common uses.

Major 7 - gives a fuller sound, often used in jazz
Major 9 - used in jazz
Major6add9 - used often in country and in jazz
Suspended chords usually resolve to the major, often used to break
up a static
vamp (instead a playing C the whole time, switch from C to Csus
to C, etc)
Minor - sad chord
m6 - used in funk
m7 - used in funk
m7#5 - used in fusion
m11 - used in funk
m(M7) - dark, moody
Ninth - used in funk
Augmented - connecting chord
Diminished - passing chord
7sus2 - used in folk
m#5 - often used as a IIIm chord
maj13#11 - used in soul
9#11 - chromatic passing chord resolving down a half step, or as a
substitute
for a IV7 chord
13#11 - same usage as 9#11
M7#11 - dramatic ending chord
M7b5#9 - ending chord, or a passing chord to I
m7b5 - usually used as a IIm in a minor key
9sus4 (11) - most popular substitution for dominant 7 chords
Augmented 7 - V chord in a minor key
Diminished - substitute for second half of IV chord measure in the
blues, one
half step higher (C = I, F = IV, F#dim would be used)
The V chord may be substituted on the weak beats (2 and 4) for a Im
7sus4b9 - V chord resolving to Im, or as I chord in Phrygian mode
m7#5 - IIIm in the harmonized major scale
13b9 - V7 chord
Alternate from M6 to M7 and back when playing a static I chord


Common chord progressions:

I - IV - V7
IIm - V - I
Iv - IVm - I


This diagram will help to show some fingerings for many of the altered chords. After studying these two examples, you should be able to figure out the rest of the altered chords. The numbers on the frets are the notes, not the fingerings (R = root, 3 = third, etc).

C9
+----+----+----+----+----+ +----+----+----+----+----+
+----+----+----+----+----+ +----+----+----+----+----+
| | | | | | | | b3 | | |
+----+----+----+----+----+ +----+----+----+----+----+
| | 3 | | | | | 3 | b9 b5
+----+----+----+----+----+ +----+----+----+----+----+
| R | b7 9 5 | R | b7 9 5
+----+----+----+----+----+ +----+----+----+----+----+
| | | | | | | | | | #9 #5
+----+----+----+----+----+ +----+----+----+----+----+
| | | | | | | | | | | 13
+----+----+----+----+----+ +----+----+----+----+----+
| | | | | | | | | | | |
+----+----+----+----+----+ +----+----+----+----+----+


C
+----+----+----+----+----+ +----+----+----+----+----+
+----+----+----+----+----+ +----+----+----+----+----+
| | | | | | | | | | | |
+----+----+----+----+----+ +----+----+----+----+----+
| | | | | | | | | | | |
+----+----+----+----+----+ +----+----+----+----+----+
(5) R | | | (5) (5) R | b7 2 (5)
+----+----+----+----+----+ +----+----+----+----+----+
| | | | | | | | | 7 b3 |
+----+----+----+----+----+ +----+----+----+----+----+
| | 5 R 3 | | | 5 R 3 6
+----+----+----+----+----+ +----+----+----+----+----+
| | | | | | | | | | 4 7
+----+----+----+----+----+ +----+----+----+----+----+

Chord Theory: Chord Construction

A chord is a group of three or more different notes played together. Every chord is based on a specific formula which relates back to the major scale after which it is named. As shown earlier, the formula for a major chord is 1 3 5 hence a G major (GM) chord consists of the first, third, and fifth notes of the G major scale, G B D (refer to the circle of fifths chart). **Note the ROOT note is the note after which the chord is named (the 1 note).

The formula for a minor chord is 1 b3 5. In the case of a G minor (Gm) the notes would be G Bb D. **Note: a G flat major (Gb) is Gb Bb Db, therefore a Gbm (G flat minor) would be Gb Bbb Db, or Gb A Db. There are many cases where a flatted note has to be flatted again according to the chord formula.

In the following diagrams I will show the names, formulas, and fingerings for over 30 of the most common chords. The numbers show where to fret the strings and with which finger. A 1===1 means to barre that number of strings with your index finger. Any notes with a question mark ? underneath are optional (can be muted). Any strings with no note shown below are not to be played. Sharp and flat symbols will come before the note (b3). Shown are the most
common barre chord fingerings (all open chords can be derived from the barre chord shapes). Not all chords have the root as the bass note, but most do. 1 = index finger, 2 = ring, 3 = middle, 4 = pinky.


Name: Major +-+-+-+-+-+ +-+-+-+-+-+ +-+-+-+-+-+
How it's written: M* +-+-+-+-+-+ +-+-+-+-+-+ +-+-+-+-+-+
Formula: 1 3 5 | | | | | | | | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+ +-+-+-+-+-+
1=========1 1=========1 | | | 1===1
+-+-+-+-+-+ +-+-+-+-+-+ +-+-+-+-+-+
| | | 2 | | | | | | | | | | | | 2 |
+-+-+-+-+-+ +-+-+-+-+-+ +-+-+-+-+-+
| 3 4 | | | | | 3===3 | | | 3 | | |
+-+-+-+-+-+ +-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | | | 4 | | | |
+-+-+-+-+-+ +-+-+-+-+-+ +-+-+-+-+-+

1 5 1 3 5 1 5 1 5 1 3 5 1 3 5 1 3
? ?
* G major can either be written GM or more commonly just G.
======================================================================
Minor
m +-+-+-+-+-+ +-+-+-+-+-+
1 b3 5 +-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
1=========1 1=========1
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | 2 |
+-+-+-+-+-+ +-+-+-+-+-+
| 3 4 | | | | | 3 4 | |
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+

1 5 1b3 5 1 5 1 5 1b3 5
?

This is the last standard minor that I will diagram. All chords can
be turned into a minor by flatting the 3 note. I will diagram a
couple that are not apparent, but the rest are very easy to figure
out using this formula.
======================================================================
Fifth
5 +-+-+-+-+-+ +-+-+-+-+-+
1 5 +-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
1 | | | | | | 1 | | | |
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
| 3 4 | | | | | 3=3 | |
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+

1 5 1 1 5 1

======================================================================
Suspended 2
sus2 +-+-+-+-+-+ +-+-+-+-+-+
1 2 5 +-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
1=========1 | | 1=1 | |
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | 2 |
+-+-+-+-+-+ +-+-+-+-+-+
| | 3 4 | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | 3 | | | 4
+-+-+-+-+-+ +-+-+-+-+-+

5 1 5 1 2 5 1 2 5 1 5
? ?
======================================================================
Suspended 4
sus4 +-+-+-+-+-+ +-+-+-+-+-+
1 4 5 +-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
1=========1 1=========1
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
| 3===3 | | | | 3=3 | |
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | 4 |
+-+-+-+-+-+ +-+-+-+-+-+

1 5 1 4 5 1 5 1 5 1 4 5
? ? ? ?
======================================================================
Suspended 2 Suspended 4
sus2sus4 +-+-+-+-+-+ +-+-+-+-+-+
1 2 4 5 +-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
1=========1 | 1=======1
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
| | | 3 | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | 4 |
+-+-+-+-+-+ +-+-+-+-+-+

5 1 4 1 2 5 5 1 4 1 2
?
======================================================================
Major add 9*
add9 +-+-+-+-+-+ +-+-+-+-+-+
1 3 5 9 (or 2) +-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
1=========1 1=========1
+-+-+-+-+-+ +-+-+-+-+-+
| | | 2 | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
| 3=3 | | 4 | | 3===3 |
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | 4 | |
+-+-+-+-+-+ +-+-+-+-+-+

1 5 1 3 5 9 5 1 5 9 3 5
? ?
* 9 = 2, but one octave higher:1 2 3 4 5 6 7 1 2 (or 9) 3 4 (or 11)
5 6 (or 13)
======================================================================
Major 6
6 or M6 +-+-+-+-+-+ +-+-+-+-+-+
1 3 5 6 +-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
1=========1 1=========1
+-+-+-+-+-+ +-+-+-+-+-+
| | | 2 | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
| 3=3 | 4 | | | 3=====3
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+

1 5 1 3 6 1 5 1 5 1 3 6
======================================================================
Major 6 add 9
6add9 +-+-+-+-+-+ +-+-+-+-+-+
1 3 5 6 9 +-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
| | 1=====1 | 1=======1
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
| | | 2 | | 3 | | 4 | |
+-+-+-+-+-+ +-+-+-+-+-+
4 | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+

1 5 9 3 6 3 5 1 5 6 9

======================================================================
Dominant 7
7 +-+-+-+-+-+ +-+-+-+-+-+
1 3 5 b7 +-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
1=========1 1=========1
+-+-+-+-+-+ +-+-+-+-+-+
| | | 2 | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
| 3 | | | | | | 3===3 |
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | 4
+-+-+-+-+-+ +-+-+-+-+-+

1 5 b73 5 1 5 1 5 1 3 b7
?


+-+-+-+-+-+ +-+-+-+-+-+
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
1=========1 1=========1
+-+-+-+-+-+ +-+-+-+-+-+
| | | 2 | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
| 3 | | | | | | 3 | 4 |
+-+-+-+-+-+ +-+-+-+-+-+
| | | | 4 | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+

1 5 b73 b71 5 1 5 b73 5
?
======================================================================
Minor add 9
m add9
1 b3 5 9
======================================================================
Minor 6
m6
1 b3 5 6
======================================================================
Minor 7
m7
1 b3 5 b7
======================================================================
Minor 6 add 9
m6 add9
1 b3 5 6 9
======================================================================
Seven suspended 4
7sus4 +-+-+-+-+-+ +-+-+-+-+-+
1 4 5 b7 +-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
1=========1 1=========1
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
| 3 | 4 | | | | 3 | | |
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | 4 |
+-+-+-+-+-+ +-+-+-+-+-+

1 5 b74 5 1 5 1 5 b74 5
?
======================================================================
Major 7 X
M7 +-+-+-+-+-+ +-+-+-+-+-+ +-+-+-+-+-+
1 3 5 7 +-+-+-+-+-+ +-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+ +-+-+-+-+-+
1=========1 1=========1 | | | 1===1
+-+-+-+-+-+ +-+-+-+-+-+ +-+-+-+-+-+
| | 3 2 | | | | | 2 | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+ +-+-+-+-+-+
| 4 | | | | | | 3 | 4 | | | 3 | | |
+-+-+-+-+-+ +-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | | | 4 | | | |
+-+-+-+-+-+ +-+-+-+-+-+ +-+-+-+-+-+

1 5 7 3 5 1 5 1 5 7 3 5 1 3 5 7 3
?
======================================================================
Minor Major 7
mM7
1 b3 5 7
======================================================================
Augmented X X X
+ +-+-+-+-+-+ +-+-+-+-+-+
1 3 #5 +-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
| | | 1=1 | | | | | | 1
+-+-+-+-+-+ +-+-+-+-+-+
| | 2 | | | | | | 3 2 |
+-+-+-+-+-+ +-+-+-+-+-+
| 3 | | | | | | 4 | | |
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | 4 | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+

1 3#5 1 #5 #5 1 3 #5
#5 1 3#5 3 1 3#5 1
3#5 1 3 1 3#5 1 3

Because of the nature of the formulat for augmented chords, any note played
could be considered the root. Therefore, Ab+, C+, and E+ can all have exactly
the same shape at the same location on the neck. The same concept applies to
diminished chords.
======================================================================
Diminished 7 X X
dim7 +-+-+-+-+-+ +-+-+-+-+-+
1 b3 b5 bb7 +-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
1=========1 | | 1 | 2 |
+-+-+-+-+-+ +-+-+-+-+-+
| 2 | | | | | | | 3 | 4
+-+-+-+-+-+ +-+-+-+-+-+
| | 3 | 4 | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+

First shape: 1 b5 1 b3 bb7 1, b3 bb7 b3 b5 1 b3, b5 1 b5 bb7 b3 1, or
bb7 b3 bb7 1 b5 bb7
Second shape: 1 b5 bb7 b3, b3 bb7 1 b5, b5 1 b3 bb7, or bb7 b3 b5 1
======================================================================
Ninth X
9 +-+-+-+-+-+ +-+-+-+-+-+
1 3 5 b7 9 +-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
1=========1 | | 1 | | |
+-+-+-+-+-+ +-+-+-+-+-+
| | | 2 | | | 2 | 3===3
+-+-+-+-+-+ +-+-+-+-+-+
| 3 | | | 4 | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
1 5 b73 1 9 1 3 b79 5
======================================================================
Minor 9
m9
1 b3 5 b7 9
======================================================================
Major 9
M9 +-+-+-+-+-+ +-+-+-+-+-+
1 3 5 7 9 +-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
| 1=======1 1=========1
+-+-+-+-+-+ +-+-+-+-+-+
2 | | | 3 | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
| | 4 | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | 4 | | | |
+-+-+-+-+-+ +-+-+-+-+-+

1 3 7 9 5 7 3 1 9 5 7 3

X X
+-+-+-+-+-+ +-+-+-+-+-+
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
1=========1 | | 1 | | |
+-+-+-+-+-+ +-+-+-+-+-+
| | | 2 | | | 2 | | 3 |
+-+-+-+-+-+ +-+-+-+-+-+
| | 3 | | | | | | 4 | |
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+

5 1 5 7 9 5 1 3 7 9 (no fifth)
?

======================================================================
Eleventh X
11 +-+-+-+-+-+ +-+-+-+-+-+
1 3 5 b7 9 11 +-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
| 1=======1 1=========1
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | 2 | |
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | 3
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+

1 11b79 5 1 11b73 5 9
======================================================================
Minor 11th X
m11 +-+-+-+-+-+ +-+-+-+-+-+
1 b3 5 b7 9 11 +-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
| 1=======1 1=========1
+-+-+-+-+-+ +-+-+-+-+-+
| | | | 2 | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | 3
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+

1 11b7b35 1 11b7b35 9
(no ninth)

======================================================================
Thirteenth
13 +-+-+-+-+-+ +-+-+-+-+-+
1 3 5 b7 9 13 +-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
1=========1 1=========1
+-+-+-+-+-+ +-+-+-+-+-+
| | | 2 | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
| 3 | | 4=4 | | 2 | 3 4
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+

1 5 b73 139 5 1 5 b73 13

X X
+-+-+-+-+-+ +-+-+-+-+-+
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+
| | 1 | | | 1 | 2 | | |
+-+-+-+-+-+ +-+-+-+-+-+
| 2 | 3=3 | | | | 3 | |
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | | | | | | 4=4
+-+-+-+-+-+ +-+-+-+-+-+
| | | | | 4 | | | | | |
+-+-+-+-+-+ +-+-+-+-+-+

1 3 b79 13 1 b7 3 139
======================================================================
Minor 13th
m13
1 b3 5 b7 9 13

The following is a chart of chords which have a slight alteration to
one of the given formulas, and are therefore called altered chords.

Chord Name Chord Formula Example
---------- ------------- -------
Major flat five 1 3 b5 Cb5: C E Gb
Minor seven flat five 1 b3 b5 b7 Cm7b5: C Eb Gb Bb
Seven sharp five 1 3 #5 b7 C7#5: C E G# Bb
Seven flat five 1 3 b5 b7 C7b5: C E Gb Bb
Seven sharp nine 1 3 5 b7 #9 C7#9: C E G Bb D#
Seven flat nine 1 3 5 b7 b9 C7b9: C E G Bb Db
Seven sharp five flat nine 1 3 #5 b7 b9 C7#5b9: C E G# Bb Db
Nine sharp five 1 3 #5 b7 9 C9#5: C E G# Bb D
Nine flat five 1 3 b5 b7 9 C9b5: C E Gb Bb D
Nine sharp eleven 1 3 5 b7 9 11# C9#11: C E G Bb D F#
Minor nine major seven 1 b3 5 7 9 Cm9(M7): C Eb G B D
Thirteen flat nine 1 3 5 b7 b9 13 C13b9: C E G Bb Db A
Thirteen flat five flat nine 1 3 b5 b7 b9 13 C13b5b9: C E Gb Bb
Db A

In altered chords, the notes to be altered are always written as
part of the chord name, enabling you to construct the chord. For
example, Cm7#5b9 (not listed above) is a Cm7 chord with the fifth
sharped and the ninth flatted.

Another type of alteration occurs when chord symbols are written
thus:
G/F#, or C/G.
Finger the chord to the left of the slash, then change the note on
the bass string to the note to the right of the slash.

Here are the substitution rules for altered chords:

9, b9, or #9 replaces 1
sus2, sus4, or b3 replaces 3
b5, #5, #11, or 13 replaces 5

Chords Theory: Keys (Circle of Fifths)

The next step in understanding any guitar theory is to understand the circle of fifths. Its importance is that it diagrams several important concepts. First, it is used in determining scales.
Second, it is used to determine which chords are in any given key.
Third, it is the basis for chord substitutions.

To begin with, I'll demonstrate how the circle of fifths is used in a blues progression in G (something that hopefully everyone is familiar with). Twelve bar blues in G begins with 4 bars of G, 2 bars of C, 2 bars of G, one bar of D7, one bar of C, one bar of G, and finally one bar of D7 (as shown below). This progression is also commonly known as

|G |G |G |G |C |C |G |G |D7 |C |G |D7 |

a I - IV - V progression. If you are not familiar with this progression, learn it. It is one of the most basic building blocks in rock music. Traces of it can be found in everything from Led
Zeppelin to Doo-Wop to surf music to Eric Clapton.

The next diagram shows the chords that are in the key of G.

I II III IV V VI VII
G A B C D E F#

As you can see, the G is the I, the C is the IV, and the D7 is the V in the I- IV - V progression. Any F chords played in the key of G need to be sharped, otherwise they are considered to be out of key.

In the same way, the circle of fifths shows which notes need to sharped or flatted in chord constuction. To form a major chord, the first, third, and fifth notes of the scale need to be played. In the case of Gmajor (or just G as it is commonly called), a G note
would be 1, a B note would be 3, and a D note would be 5.

e||---|---|-o-|---| G (1) As you can see, the open G chord
B||---|---|---|---| B (3) is made up entirely of G, B, and D notes
G||---|---|---|---| G (1) (I, 3, and 5). Note that any G chord
D||---|---|---|---| D (5) requires a 7 note to be played would
A||---|-o-|---|---| B (3) be an F#, not an F.
E||---|---|-o-|---| G (1)


For the third part, the Circle of fifths gives an indication of when
to play minors, etc. The following chart shows some guidelines.
Later on

I = major
II = minor7
III = minor7
IV = major
V = dominant7
VI = minor (known also as the relative minor)
VII = diminished

I will show some substitution rules for incorporating more unusual chords into a progression. It is important to remember that these rules are only general guidelines. If you look at the chords of some songs that you know, you will probably see that as a general trend, these rules are followed, but on many occasions they aren't.

One thing to keep in mind: a chord progression may be in the key of A (A is the I chord) without playing an A chord first. Look at the following example.

|E |E |A |D |

This the chord progression in Lola, by the Kinks. In this case, it is in the key of A (A = I, D = IV, E = V). This shows that the
first chord played in a progression does not determine the key. Another example is the IIm - V - I chord progression, which is one of the most common in western music. As you can see, it starts on the IIm chord.

Since I don't have very good graphics capabilities here, I will represent the circle of fifths in chart form, as would be read clockwise from 12 o'clock.

C - no sharps or flats.
G - F#
D - F#, C#
A - F#, C#, G#
E - F#, C#, G#, D#
B - F#, C#, G#, D#, A#
F# (Gb) - F#, C#, G#, D#, A#, E# (F)
Db - Bb, Eb, Ab, Db, Gb
Ab - Bb, Eb, Ab, Db
Eb - Bb, Eb, Ab
Bb - Bb, Eb
F - Bb

Notice the spacing between chords is the same for each key. Here is the example again in the key of G.

I II III IV V VI VII
G A B C D E F#

Notice that there is a whole step between all chords except between III and IV, and between VII and I. This will be true for all keys.

That pattern is also the same as that for the major scale. The above diagram shows the notes contained in the G major scale.

The VI chord is called the relative minor, because it shares many notes with the tonic (I chord). If C were the tonic, Am would be the relative minor. If you play one after the other, you will
notice they sound good together. If something is played in an Am key, you use the exact same chords as if it were being played in the key of C. In this way, you can determine all of the mionr keys as well from the circle of fifths.

The Fret Board: Chord Theory

The first that you will need to learn is the notes on the fretboard. It is very important to any theory on guitar to know where the notes are on the neck. At first, memorize the notes on the first couple of strings. Then figure out what the notes on the rest of the strings will be. In a pretty short amount of time you should be able to do that. In time you'll develop more of a feel for where the notes fall, without having to think about it, but that's not necessary for chord theory. What you really need to be able to do is to be able to figure out what notes you're playing in a given chord.


e||-F--|-F#-|-G--|-G#-|-A--|
B||-C--|-C#-|-D--|-D#-|-E--| Note: # = sharp
G||-G#-|-A--|-A#-|-B--|-C--| b = flat
D||-D#-|-E--|-F--|-F#-|-G--|
A||-A#-|-B--|-C--|-C#-|-D--|-D#-|-E--|-F--|-F#-|-G--|-G#-|-A--|
E||-F--|-F#-|-G--|-G#-|-A--|-A#-|-B--|-C--|-C#-|-D--|-D#-|-E--|


Notice that there is a full step between all notes except for B and C, and E and F. For the sake of simplicity I have only shown sharps, but it is important to understand where.the flats are. A#
(# = sharp) is equal to Bb (b = flat). D# is equal to Eb. B# is equal to C, and Cb is equal to B. Once again, for the purpose of chord theory, it is not necessary to be instantly familiar with
every note on the fretboard. What is necessary is to be able to figure out the notes of any given chord that you are playing.

Guitar Chords Teri Deewani by Kailash Kher

Em
preet ki lat mohe aisi laagi
C Em
ho gayi main matwaari
D
bal-bal jau apne piya ko...
C Em
hey main jaau waari-waari

D
mohe sud-budh naa rahi tan-man ki
C Em
ye toh jaane duniya saari
C D
bebas aur lachaar phiru main
D Em
haari main dil haari
D Em
haari main dil haari


D C Em
Tere naam se jeelu tere naam se mar jau
D C Em
Tere naam se jeelu tere naam se mar jau
D C Em
tere jaan ke sadke main kuch aisa kar jau
Em D
tune kya kar daala
C
mar gayi main
Em
mit gayi main
D C
ho ji....haan ji
D
ho gayi main ....
D C Em
teri deewani... teri deewani (2)

Em D
Ishq junoon jab had se badh jaye
Em D
Ishq junoon jab had se badh jaye
D C Em
haste haste aashiq suuli chadh jaye
Em D
ishq ka jadoo sar-chadhkar bole
Em D
ishq ka jadoo sar-chadhkar bole
D C Em
khoob lagalo pehre raste rab khole
D
yahi ishq di marzi hain
C Em
yahi rab di marzi hain
D
yahi ishq di marzi hain
C Em
yahi rab di marzi hain
D
tere bin jina kaisa
C Em
saansein darti hai

Em D
tune kya kar daala
C
mar gayi main
Em
mit gayi main
D C
ho ji....haan ji
D
ho gayi main ....
D C Em
teri deewani... teri deewani (2)


Em D
aye main rang-rangeeli deewani
Em D
aye main rang-rangeeli deewani
Em D
aye main albeli, main mastaani
D C Em
gau bajaau..sabko rijhau
Em D
aye din dharam se begaani
Em D
aye main deewani ..main deewani
D
tere naam se jeelu
C Em
tere naam se mar jau
D C Em
tere jaan ke sadke main kuch aisa kar jau
Em D
tune kya kar daala
C
mar gayi main
Em
mit gayi main
D C
ho ji....haan ji
D
ho gayi main ....
D C Em
teri deewani... teri deewani (2)

Guitar Chords Tu Hi Meri Shab Hai

tu hi meri shab hai subha hai ........................................tu hi din hai mera
|------------------------------------------|--------------------------------------|
|-------0---1---0-------0------------------|---------0----1----0------------------|
|---2---------------2-------0-------0---2--|----2-------------------2----0----2---|
|-------------------------------2----------|--------------------------------------|
|------------------------------------------|--------------------------------------|
|------------------------------------------|--------------------------------------|
tu hi mera rab hai jahaan hai ........................................tu hi meri duniya
|------------------------------------------|--------------------------------------|
|-------0---1---0-------0------------------|---------0----1----0------------------|
|---2---------------2-------0-------0---2--|----2-------------------2----0----2---|
|-------------------------------2----------|--------------------------------------|
|------------------------------------------|--------------------------------------|
|------------------------------------------|--------------------------------------|
tu waqt mere liye ................................................ma in hoon tera lamha
|--0--0--0--0--1--0-----3--3--5--3--1-|-----0-----0-----0----------------|
|--------------------3----------------|-----------------------3----p5----|
|-------------------------------------|----------------------------------|
|-------------------------------------|----------------------------------|
|-------------------------------------|----------------------------------|
|-------------------------------------|----------------------------------|
kaise rahega bhala ..............................................hoke tu mujhse judaa
|--0--0--0--0--1--0-----3--3--5--3--1-|-----0-----0-----0----------------|
|--------------------3----------------|-----------------------3----p5----|
|-------------------------------------|----------------------------------|
|-------------------------------------|----------------------------------|
|-------------------------------------|----------------------------------|
|-------------------------------------|----------------------------------|
o o o o ho ho................................................ .................o o o o o o
|-----------0-----------------------0------|--------------0-----------------------|
|---1---3-------3---1---3---3---3-------1--|----1----3---------3----1----0--------|
|------------------------------------------|----------------------------------2---|
|------------------------------------------|--------------------------------------|
|------------------------------------------|--------------------------------------|
|------------------------------------------|--------------------------------------|
Same As Above........................................
tu hi meri shab hai subha hai tu hi din hai mera
tu hi mera rab hai jahaan hai tu hi meri duniya
74
tu waqt mere liye main hoon tera lamha
kaise rahega bhala hoke tu mujhse judaa
o o o o ho ho
o o o o o o
Stanza 1.
aankhon se padhke tujhe ......................................dil pe maine likha
|--------------------------------------|--------------------------------------|
|----1----0--------------0----0----0---|----0----1----3----3----5----0--------|
|--------------2-----------------------|----------------------------------2---|
|-------------------2------------------|--------------------------------------|
|--------------------------------------|--------------------------------------|
|--------------------------------------|--------------------------------------|
tu ban gaya hai mere .............................................jeene ki ek wajah
|--------------------------------------|--------------------------------------|
|----1----0--------------0----0----0---|----0----1----3----3----5----0--------|
|--------------2-----------------------|----------------------------------2---|
|-------------------2------------------|--------------------------------------|
|--------------------------------------|--------------------------------------|
|--------------------------------------|--------------------------------------|
aankhon se padhke tujhe ......................................dil pe maine likha
|--------------------------------------|--------------------------------------|
|----1----0--------------0----0----0---|----0----1----3----3----5----0--------|
|--------------2-----------------------|----------------------------------2---|
|-------------------2------------------|--------------------------------------|
|--------------------------------------|--------------------------------------|
|--------------------------------------|--------------------------------------|
tu ban gaya hai mere ............................................jeene ki ek wajah
|--------------------------------------|---------------------------------------|
|----1----0--------------0----0----0---|----0----1----3----3----5----0-6-5-3-5-|
|--------------2-----------------------|---------------------------------------|
|-------------------2------------------|---------------------------------------|
|--------------------------------------|---------------------------------------|
|--------------------------------------|---------------------------------------|
teri hasi teri adaa auron se hai bilkul judaa
|---0---0---5---2---0---0---5---2--|---0-------1------------------------------|
|----------------------------------|-------3-------3---1---0---0---1---3------|
|----------------------------------|------------------------------------------|
|----------------------------------|------------------------------------------|
|----------------------------------|------------------------------------------|
|----------------------------------|------------------------------------------|
o o o o ho ho................................................ .................o o o o o o
|-----------0-----------------------0------|--------------0-----------------------|
|---1---3-------3---1---3---3---3-------1--|----1----3---------3----1----0--------|
|------------------------------------------|----------------------------------2---|
|------------------------------------------|--------------------------------------|
|------------------------------------------|--------------------------------------|
|------------------------------------------|--------------------------------------|
75
Stanza2, (Play Just Like Stanza 1)
aankhen teri shabnami chehra tera aaina
tu hai udaasi bhari koi haseen dastaan
ho aankhen teri shabnami chehra tera aaina
tu hai udaasi bhari koi haseen dastaan
dil mein hai kya kuchh toh bata
kyon hai bhala khud se khafa
o o o o ho ho
o o o o o o
End Part (Play Just Like Intro Part !)
tu hi meri shab hai subha hai tu hi din hai mera
tu hi mera rab hai jahaan hai tu hi meri duniya
tu waqt mere liye main hoon tera lamha
kaise rahega bhala hoke tu mujhse judaa
o o o o ho ho
o o o o o o...
Chords For The Song!
Am.........................Em..................... .....F
tu hi meri shab hai subha hai tu hi din hai mera
Am........................Em...................... .....F
tu hi mera rab hai jahaan hai tu hi meri duniya
Am...........G...................F................ Am
tu waqt mere liye main hoon tera lamha
Am...........G...................F................ Am
kaise rahega bhala hoke tu mujhse judaa
Pause......G
o o o o ho ho
..........Am
o o o o o o
tu hi meri shab hai subha hai tu hi din hai mera
tu hi mera rab hai jahaan hai tu hi meri duniya
tu waqt mere liye main hoon tera lamha
kaise rahega bhala hoke tu mujhse judaa
o o o o ho ho
o o o o o o
Stanza 1,
Am...............Em...............G..............A m
aankhon se padhke tujhe dil pe maine likha
Am...............Em...............G..............A m
tu ban gaya hai mere jeene ki ek wajah
76
Am...............Em...............G..............A m
ho aankhon se padhke tujhe dil pe maine likha
Am...............Em...............G..............F
tu ban gaya hai mere jeene ki ek wajah
Am........D
teri hasi
C........D
teri adaa
Em.........G...............Am
auron se hai bilkul judaa
Pause......G
o o o o ho ho
..............Am
o o o o o o
Stanza 2 (Play Same As Stanza 1)
aankhen teri shabnami chehra tera aaina
tu hai udaasi bhari koi haseen dastaan
ho aankhen teri shabnami chehra tera aaina
tu hai udaasi bhari koi haseen dastaan
dil mein hai kya kuchh toh bata
kyon hai bhala khud se khafa
o o o o ho ho
o o o o o o
tu hi meri shab hai subha hai tu hi din hai mera
tu hi mera rab hai jahaan hai tu hi meri duniya
tu waqt mere liye main hoon tera lamha
kaise rahega bhala hoke tu mujhse judaa

Yaaron Dosti Badi Hi Haseen Hai by KK

D………G……D…………G…..A….
Yaaron, dosti bari hi haseen hai
………D……G………..D……………….G...A..
Ye na ho to, kya phir, bolo yeh zindagi hai
…...Bm……..G….
Koi to ho razdaar
…….D…………..Em..
Begaraz tera ho yaar
…..Bm………..D……
Koi to ho raazdaar *
70
D……….G…………D…………..G….A…
Yaaron, mohabbat hi to bandagi hai
………D……G………D………………..G..A…
Ye na ho to kya phir bolo yeh zindagi hai
…..Bm………….G…..
Koi to dilbar ho yaar
D………………..Em…
Jisko tujhse ho pyar
…..Bm………….D…..
Koi to dilbar ho yaar *
Bm……..F#m……….G…………….D….
Teri har ek buraee pe dante woh dost
Bm…………..F#m…………………G…………..D…….G
Gham ki ho dhoop to saaya bane tera woh dost
G……………….D………..A…….
Nache bhi woh teri khushi se
D………G……D…………G…..A….
Yaaron, dosti bari hi haseen hai
………D……G………..D……………….G...A..
Ye na ho to, kya phir, bolo yeh zindagi hai
…...Bm……..G….
Koi to ho razdaar
…….D…………..Em..
Begaraz tera ho yaar
…..Bm………..D……
Koi to ho raazdaar *
Bm………….F#m……….G……………D…
Tanman kare tujhpe fida mehboob woh
Bm……….F#m………….G……………D…………G
Palkon pe jo rakhe tujhe mehboob woh
G………..D………..A……
Jiski wafaa tere liye ho
D……….G…………D…………..G….A…
Yaaron, mohabbat hi to bandagi hai
………D……G………D………………..G..A…
Ye na ho to kya phir bolo yeh zindagi hai
…..Bm………….G…..
Koi to dilbar ho yaar
D………………..Em…
Jisko tujhse ho pyar
…..Bm………….D…..
Koi to dilbar ho yaar *
*Filler riff :
E|----------5-------2------1p0-------------------------------------------
A|--------------------------------------3---------------------------------
D|------------------------------------------------------------------------
G|------------------------------------------------------------------------
B|------------------------------------------------------------------------
E|------------------------------------------------------------------------

Guitar Chords Ik Hasina Thi

NC.........G...................Ab
Ik Hasiinaa Thii, Ik Diivaanaa Thaa
G..........................Ab..... G...... Ab...Bb.....Cm
Kyaa Umar, Kyaa Samaa, Kyaa Zamaa..naa Thaa..aaaa...aaa ...
67
(In actual song lead guitar plays with chords in background for the above part)
Cm..........G.............................................Ab
Ik Hasiinaa Thii (hasina thi), Ik Diivaanaa Thaa (divaana tha)
G..........................Ab..... G.... Ab...Bb.....Cm
Kyaa Umar, Kyaa Samaa, Kyaa Zamaa..naa Thaa..aaaa...aaa ...
NC........Ab...............G
Ek Din Vo Mile, Roz Milane Lage
G.............Ab.................G.
Phir Muhabbat Huii, Bas Qayaamat Huii
NC...Cm
Kho Gaye Tum Kahaa.N, Sun Ke Ye Daasataa.N
Cm
Log Hairaan Hai.N, Kyo.N Kii An_Jaan Hai.N
Cm.............Ab..................G.......
Ishq Kii Vo Galii, Baat Jisakii Chalii
Cm (Strum the strings with a hard first stroke)
Us Galii Me.N Meraa Aanaa, Jaanaa Thaa
Cm............G.........Cm.................
Ik Hasiinaa Thii, Ik Diivaanaa Thaa ...
Cm
Kyaa Umar thi, Kyaa Samaa tha, Kyaa Zamanaa Thaa
Cm............G.........Cm.................
Ik Hasiinaa Thii, Ik Diivaanaa Thaa ...
(strumming changes for the following part, single down strokes,
lift you left hand before completion of each stroke)
NC..............G.........................................
Us Hasiin Ne Kahaa, Us Hasiin Ne Kahaa, Suno Jaan\-E\-Vafaa
G
Ye Falaq Ye Zamii.N, Tere Bin Kuchh Nahii.N
...........Ab.........G.......Ab.................G......
Tujhape Maratii Huu.N Mai.N, Pyaar Karatii Huu.N Mai.N
.......Ab.......G........Ab.........G
Baat Kuchh Aur Thii, Vo Nazar Chor Thii
NC................Ab.....G................Cm (change strumming pattern at the beginning of this line)
Usake Dil Me.N Chhupii, Chaahat Aur Garzii Thii
Cm (Strum the strings with a hard first stroke)
Pyaar Kaa, To Faqat, Ik Bahaanaa Thaa
68
Cm............G.........Cm.................
Ik Hasiinaa Thii, Ik Diivaanaa Thaa ...
NC.........Ab.................. (just play chord from top to down slowly, not as one stroke)
Bevafaa Yaar Ne, Apane Mahabuub Se
Csus2
Aisaa Dhokhaa Kiyaa
- Dhokhaa, Dhokhaa, Dhokhaa, Dhokhaa -
Csus2................Csus2
Aisaa Dhokhaa Kiyaa, Zahar Usako Diyaa
- Dhokha, Dhokha, Dhokha, Dhokha -Dhoka
Lead
E |----------------------------------------------------------------------------------|
B |---3---3--4---3---3--4---3---3--4----------------3----------3---1h3-------|
G |-----5----------5----------5------5---5--5--2--5---4---4--5----------5-5--|
D |--------------------------------------------------------------------------|
A |--------------------------------------------------------------------------|
E |--------------------------------------------------------------------------|
Cm
Roo roo roo roo...roo roo roo roo.. roo roo roo roo rooooooo
Cm...................G.................Cm
Roo roo roo roo roooooooo....ru ru ru rooo rooooo
Ab..........G
Mar Gayaa, Vo Javaa.N
.....Ab....G....Cm
Ab Suno Daasataa.N
Cm..............Ab......................G........
Janm Le Kar Kahii.N, Phir Vo Pahu.Nchaa Vahii.N
G.............Ab................Cm
Shaql An_Jaan Kii, Aqal Hairaan Kii
Cm
Saamanaa Jab Huaa, Phir Vahii Sab Huaa (twice)
.......G.......Cm.........G........Cm.......
Usakaa Ye Farz Thaa, Usape Ye Qarz Thaa
Cm............ Ab.....G....Ab...Cm
Farz Ko, Qarz Apanaa, Nibhaanaa Thaa
Ab........G..........Cm
Laaaa...Laaaa....Laaaaa
Cm
La la la la....la la la la...la la la la laaaaaaa
Cm...........G......................Cm
69
La la la la laaaaaa.....la la la laaaa..laaaa
D………G……

Guitar Chords Addiyan Dhoke Paaiyan Jhanjhra

Am G Em Am
Addiyan ton ki paiyan jhanjara laung mare lashkare
Am G Em Am
Addiyan ton ki paiyan jhanjara laung mare lashkare
Am G Em Am
Kangna tera ni sanu kare ishaare
Am G Em Am
Kangna tera ni sanu kare ishaare
Am G
Kangne de wich lage nag satrange nee
Em Am
Kale kale aashiqan to dil ehe mange nee
G Em
Kangne de wich lage nag satrange nee
G Em
Kale kale aashiqan to dil ehe mange nee
Am G Em Am
Apne es kagne nu saam ke rakh mutiyaare

Guitar Chords Dhoom Pichuk Dhoom

Intro: Dhoom pichuck dhoom pichuck dhoom….
G5
Aa re meri dhadkan aa re
Chaand ke hain sang sitaare
G F
Verse1: Hey-e-ey aa re meri dhadkan aa re,
G F
Chaand ke hain sang sitaare
G A# C
Saath rehtein hain woh saare main akela re.
G F G F
Khilkhilaati hain woh nadiyaa, nadiyaa mein hai ek naiyaa,
G Bb C
Naiyaa ka main hoon khiwaiyyaa kyon akela re
G
Ab aa bhi jaa sab ko bataa kya tera mera naataa re
Bb F
Ch1: Tum ho meri main tumhaara
Gm F
Chhotaa sa sansaar humaaraa
Gm F G
Aage jaane Ram kyaa hogaa
Bb F
Kehtaa hai jo kahe zamaanaa
Gm F
Tera mera pyaar puraanaa
Gm F G
Aage jaane Ram kyaa hogaa
G Gsus4 G Gsus4
Verse2: Jaise diyaa aur baati, saare sukh dukh ke hum saathi
G F Bb C
Behki purvaiyaa hai gaati main tumhaaraa re
G Gsus4 G Gsus4
Ho…Raat meri din hain tere, Tere aansun ab hain mere
G F Bb C
Pyaar ke honge sawere na ghabraanaa re
G
Ab na sharmaa sab ko bataa kya tera mera naataa re
Bb F
Ch2: Tum ho meri main tumhaara
Gm F
62
Chhotaa sa sansaar humaaraa
C F G
Aage jaane Ram kyaa hogaa
Bb F
Mera dushman saaraa zamaanaa
Gm F
Tera mera pyaar puraanaa
C F G
Aage jaane Ram kyaa hogaa
Interlude on G
Bridge: Hey maajhi re, tohaar bina mor jibone neyi mane
F
Phire aasi ja tui mor kaase
C G Bb
Jaton kore rakhiboho tohke mor booker moddhe maajhi re
G
Maajhi re
C
Aa bhi jaa aa bhi jaa saanse meri pukaare har din
G F C
Aa bhi jaa na sataa nahi jeenaa tere bin
Repeat ch2: chords
Ch3: Kyonki tum ho meri main tumhaara
Chhotaa sa sansaar humaaraa
Aage jaane Ram kyaa hogaa
Kehtaa hai jo kahe zamaanaa
Tera mera pyaar puraanaa
Aage jaane Ram kyaa hogaa
G C
Aa bhi jaa Aa bhi jaa Aa bhi jaa Aa bhi jaa (x2)
Repeat Ch3 chords
Ch4: Kyonki tum ho meri main tumhaara
Chhotaa sa sansaar humaaraa
Aage jaane Ram kyaa hogaa
Kehtaa hai jo kahe zamaanaa
Tera mera pyaar puraanaa
Aage jaane Ram kyaa hogaa
Aage jaane Ram kyaa ho Aage jaane Ram kyaa ho
Aage jaane Ram kyaa hogaa
Aage jaane Ram kyaa ho Aage jaane Ram kyaa ho
Aage jaane Ram kyaa hogaa
Tum ho meri main tumhaara
Chhotaa sa sansaar humaaraa
Aage jaane Ram kyaa hogaa
Mera dushman saaraa zamaanaa
Tera mera pyaar puraanaa
Aage jaane Ram kyaa hogaa
Aage jaane Ram kyaa hogaa
Aage jaane Ram kyaa ho Aage jaane Ram kyaa ho
Aage jaane Ram kyaa hogaa

Guitar Chords Suno Naa by Shaan (Movie:Jhankar Beats)

Guitar Chords Suno Naa by Shaan (Movie:Jhankar Beats)
Song: Suno Na
Singer: Shaan
Movie: Jhankar Beat

Chords Used
Dm:113231
A#:113331
C : x32010

stan1:
Dm...........A#.........................C......................A#..Dm........A#.......................
Dil ne tumko chun liya hai, tum bhi isko chuno naa khwab koi dekhta hai

...............C.............Dm.................C.........................Dm..................................
tum bhi sapney buno naa, dil ye mera tumse kuch kehra hai suno naa

stan2:
....C....................Dm............................C...................Dm....................
dur ho kar bhi dur tum nahi ho, paas ho lekin pas kyun nahi ho

C...........Dm....C...........Dm............................C...................................Dm..
tanha tanha samaa mehki mehki hawaa, keh raha hai jahaan joooo suno naa

repeat stan1
stan3:
....C...............Dm....................................C...............Dm..........................
dekhlo mausam kitna suhana hai, pyar karne ka ye koi bahana hai

C.........Dm...C.........Dm....................C....................................Dm..
muskurati fiza gungunati hawaa, keh raha hai jahaan jooooo suno naa

Repeat stan1:
.......C.........................Dm..................................
dil ye mera tumse kuch kehra hai suno naa

Guitar Chords Hothon Se Choo Lo Tum (Jagjit)

Chords Hoton Se Choo Lo Tum

Song: Hothon Se Choo Lo Tum
Singer: Jagjit
Movie: Amar Prem

This is one of the best songs i have listened in my life and perhaps one of the best sung by Jagjit too. The lyrcs of the song are ultimate and heart touching.

I have just tried to frame them in guitar chords. Please have a look, hope you would like it.

Chords Used:
.........................
A: x01110
E: 022100
Bm: 224432
C#m: 444664
F#m:244222
..........................

A----------------------E---------Bm----------A
Hothhon se chhu lo tum meraa geet amar kar do,

A---------------E---------Bm----------A
ban jaao meet mere, meri preet amar kar do

C#m----------------A---------C#m-------------A
Na umra kee seema ho, naa janmon kaa ho bandhan

C#m-----------A-----C#m---------A
jab pyaar kare koi to dekhe kewal man,

F#m--------------E-----------------------A
nayee reet chalaakar tum ye reet amar kar do

Rest of the song will go as above pattern

Aakash ka sunapan mere tanha mann mein,
payal chankaati tum aa jaao jeevan mein
saaanse dekar apni sangeet amar kar do
sangeet amar kar do mera geet amar kar do.

Jag ne chheena mujh se, mujhe jo bhi laga pyara
sab jeetaa kiye mujh se, mein har pal hee haraa
tum haar ke dil apna, meri jeet amar kar do..

Hotho se choo lo tum, mera geet amar kar do

Guitar Chords Na Jaane Kyu (Strings)

G.......Bm......Em...............C....
Daykhoo kaisay parbat say badal gayay
...D................C....
Barsay gayy yeh abb kahan
G......Bm......Em...................C....
Dakhoo kaisay pholoon say khushboo gayee
...D...............C...........G
Mehkay gee yeh abb kahan
--------------------------------------------------------------------
D.............G.....
Sukh ban gaye sapnay (can also use cadd9)
D..............G....
Sab khoo gayay apnay
-------------------------------------------------------------------
Em.............D............................
Dil bujh gayaaaaa ghar jal gayaaaaa
Am................C.................
Na janay kyun na janay kyun
Em................D...........
Yaddo ka phir aanchal ura
Am...............C.................
Na janay kyun na janay kyun
D.................................
Najanay kyun najanay kyun
--------------------------------------------------------------------
G..........D........Em.............C.............. ...
daykhoo kaisay hathoon say jugnoo gayay
.....D...............C............G
chamkay gayy yeh abb kahan
--------------------------------------------------------------------
Guitar Solo:
|----------------------------10-------------|
|-8-10-12-12--12s8-10--10h12----12s10-------|
|-------------------------------------------|
|-------------------------------------------|
|-------------------------------------------|
|-------------------------------------------|
|-------------------------------------------10---|
|-10s8-8-------------------------------10h12-----|
|---------9s11~-11-11-9-9h(late)11~-9-7----------|
|------------------------------------------------|
|------------------------------------------------|
|------------------------------------------------|
|-------------------------------------------|
|-12p10-10s8-7h9-5s10-----------------------|
|-------------------------------------------|
|-------------------------------------------|
|-------------------------------------------|
|-------------------------------------------|

--------------------------------------------------------------------
D.................G........
Kyun so gaye shamain
D................G........
kat na sakain raatien

Guitar Chords Purani Jeans

C - 032010
Am - x02210
F - x33211
G - x55433
C* - x05553

[C]Purani Jeans [Am]aur [C]guitar , mohalle [F]ki woh chat, aur [C]mere yaar.
[C]woh raaton ko [Am]jaag[C]na, subhah ghar [F]jaana ,kood [C]ke deewar.
[C]woh cigarette [C*]peena gali mein [F]jaake woh karna [G]daaton ko ghadi ghadi [C]saaf .

[C]Pahunchna college [Am]hamesha [C]late, woh kehna [F]sir ka ,get out from [C]the class.
[C]woh bahar jaake [Am]hamesha [C]kehna, yahan ka [F]system hi hai [C]kharab
[C]woh jaake [C*]canteen main table [F]baja ke woh gaane [G]gaana yaaron ke [C]saath.

[C]Bas yaadein yaadein yaadein reh [F]jaati hein
[F]kuch choti choti baatein reh [C]jaati hein
[C[bas yaadein yaadein yaadein reh [F]jaati hein
[F]kuch choti choti baatein reh [C]jaati hai bas yaadein bas yaadein

[C]Woh papa ka [Am]daant[C]na, woh kehna [F]mummy ka, chorde ji [C]aap
[C]tumhe to bas [Am]nazar [C]aata hai, jahan mein [F]beta mera hi [C]kharab
[C]woh dil mein [C*]sochna karke kuch [F]dikha dein woh karna [G]planning roz nayi [C]yaar

[C]Ladakpan ka woh [Am]pehla pyar, woh likhna [F]haathon pe "A[C]+R"
[C]woh khidki se [Am]jhank[C]na, woh likhna [F]letter unhe baar [C]bar
[C]woh dena [C*]tohfe mein sone ki [F]baaliyan, woh lena [G]doston se paise [G]udhar…..

[C]Bas yaadein yaadein yaadein reh [F]jaati hein
[F]kuch choti choti baatein reh [C]jaati hein
[C[bas yaadein yaadein yaadein reh [F]jaati hein

[F]kuch choti choti baatein reh [C]jaati hai bas yaadein bas yaadein
[C]Aisa yaadon ka mausam chala [F]bhulta hi nahi dil mera
[C]kahan meri jeans [Am]aur [C]guitar, mohalle [F]ki woh chhat aur [C]mere yaar

[C]woh raaton ko [Am]jaag[C]na, subhah [F]ghar jaana ,kood [C]ke deewar.
[C]Purani Jeans [Am]aur [C]guitar , mohalle [F]ki woh chat, aur [C]mere yaar.
[C]woh raaton ko [Am]jaag[C]na, subhah [F]ghar jaana ,kood [C]ke deewar.
[C]purani jeans............................................

Guitar Chords Kal Ho Na Ho

C.......................................Em........ ....
har ghadi badal rahi hain rup zindagi,
C.......................................Em........ ....
chao hain kahi kahi hain dhup zindgi,
..............F.....,..............C,
har pal yaha ,zi bhar jiyo,
...............F...,.Gm......C..........
jo hain sama, kal ho na ho....
para::
.G.............................FC...
chahe jo tume pure dil se,
.G.............................FC...
milta hain wo mushlkil se,
.G.............................FC...
aisa jo koi kahi hain,
.G.............................FC...
bus wahi sabse hassen hain,
..............F.....,..............C,
us haath ko tum thaam lo,
...............F...,.Gm......C..........
wo meherbaan kal ho na ho.

====================================================================
Version2
====================================================================
C# :446664
E#m:446564
G# :466544
F# :244322
B :224442
D#m:224342
stan1:
C#-----------------------E#m-------G#
Har ghadi badal rahi hai roop zindagi
C#------------------------E#m--------G#
chao hai kabhi, kabhi hai dhoop zindagi
56
--------F#------------C#
har pal yaha jee bhar jiyoo
--------F#-----B-----------C#
jo hai samaaaaaa kal ho na ho
stan2:
G#----------D#m-----C#
chahe jo tumhe pure dil se
G#--------D#m-----C#
milta hai wo mushkil se
G#------D#m---C#
aisa jo koi kahi hai
G#-------D#m------C#
bas wohi sabse hasin hai
--------F#----------C#
us hath ko tum tham lo
--------F#----B------------C#
wo meharbaaaaan kal ho na ho
--------F#------------C#
har pal yaha jee bhar jiyoo
--------F#-----B-----------C#
jo hai samaaaaaa kal ho na ho
stan3:
G#----D#m-----C#
palko gile jo sayein
G#---D#m----F#
paas koi jo aayein
G#---D#m------G#-----D#m
lakh sambhalo paagal dil ko
G#------D#m---C#
dil dhadke hi jayee
--------F#------------C#
par sochlo is pal hai jo
-------F#-----B-----------C#
wo daastaaaaaan kal ho na ho
repeat stan1

Guitar Chords Kuch Tum Socho

F................................................
Kuch tum socho kuch hum soche
C.......................................F....
Fir khushi ka ye mausam aaye
F......................................
tanha tanha kaun jiya hai
C..........................................F..
reheke tanha ye dil ghabaraye
F...........................................
Aaa jao milake rishta ye jode
F..............................................
sharte badal de rasmo ko tode
C........................G.......................F ......
Isase pehale ke Duniya hame aajmaye
F............
Hooo hoo
1st stanza
F................................................. .............Bb....
Duniya ki rasmo ko chahat me shamil na karna
Bb...............F........Bb...........F.........C ..........................F......
Manzil hum aapni paake rahenge ha tum kisi se na darna
F........................................C........ .......................F....
pagal rasme pagal duniya aur thode hum tum pagal
F.......................
kuch tum socho
Same for the 2nd stanza

Guitar Chords Dil Ko Tumse Pyar Hua

Dilko Tumse Pyaar Hua Pehli Baar Hua Thumse
Pyaar Hua
Am G F E
Main Bhi Aashiq Yaar Hua Pehli Baar Hua Tumse
Pyaar Hua
D C D C D F C E
Chaayi Hain Betaabi Meri Jaan Kahon Main Kya
Karoon
D C D C D F C E
Chaayi Hain Betaabi Meri Jaan Kahon Main Kya
Karoon
Am G F E
Dilko Tumse Pyaar Hua Pehli Baar Hua Tumse Pyaar
Hua
Am G F E
Main Bhi Aashiq Yaar Hua Pehli Baar Hua Tumse
Pyaar Hua

Guitar Chords Dekha Hai Aise Bhi - Lucky Ali

DEKHA HAI AISE BHI - LUCKY ALI

G: X20033] G: X32033
GHAR KO MEY NIKLA / TANHA AKELA

G[X20033] G[X32033]
SAATH MERE KAUN HAI/ YAAR HAI MERA

G[X20033] G[X32033]
JO BHI KARNA THA /KAR AA GAYA MAIN

G[X20033] C[X320XX] D[XX0232] G[XXX033]
PYAR KO HI MAANTE /CHALTE JAANA /AA AAAA......

G[X20033] G[X32033]
DEKHA HAI AISE BHI/ KISI KO AISE HI

C[X32010] D[XX0232]
APNE BHI DIL MAIN BASAYE HUE KUCH/ IRADE HAI

C[X32010] A[X03330]
DIL KE KISI KONE MEIN BHI KUCH AISE HI/ WAADE HAIN N.N....

C[X32010] D[XX0232] C[X32010] D[XX0232] C[X32010] D[XX0232] G[X20033]
INKO/ LIYE /JAB HUM / CHALEIN /HAZAROON MAIN /HUM BHI / MILEE O ...O....O

Guitar Chords Chand Mera Dil Chandni ho Tum

CHAND MERA DIL Chords

Intro..
E -------------0-------------------------------------
B -----------------1p0-------------------------------

G -------0h2------------0^2^0----------------------
D --0h2---------------------------2------------------
A ------------------------------------2---3----------
E ----------------------------------------------------
Am..............Dm G.................C
Chaand mera dil Chaandni ho tum
Am.................F....F...............Am
Chaand se hai door chaandni kahaan
Am.........Dm G................C
Laut ke aana hai yahin tumko
Am...............F F...............Am
jaa rahe ho tum Jaaao meri jaan..
G...........Am......... F.........Am........
Waise to har kadam milenge log sanam
Am.....G............Dm.....F...............G
Milega sachchaa pyaar mushkil se... ho O O
(same set of chords as the above)
Dil ki dosti khel nahin koi
Dil se dil hai milta yaar mushkil se
G.........B........... F..............Am...
yahi to hai sanam pyaar ka thikana..
G........... E........... Am..............
main hoon main hoon main hooon...

Guitar Chords Ab Naa Jaa by Euphoria

E B
AAKHEN BAND KAR LUN TO MAIN
A E
DEKHUN BAS TUMHE
E B
KHWABON MEIN HI KEH SAKA HOON
A E
APNA TUMHE
A B A E
REHNE DE, MERA YEH VEHEM PE HI YAKEEN
E B
NA JAA ABHI….
A B
PYAR KI YEH RAAT HAI, AB NA JAA
A E A E
CHOTI SI EK BAAT HAI, AB NA JAA
E B
TUMHI SE HAIN MERI NEENDEIN
A E
NA BHI HO TO KYA
E B
TUMHI SE HAIN MERI BAATEIN
A E
NA BHI HO TO KYA
A B A E
KEHNE DE, TAARON KO KAHANI ANKAHI
E B
NA JAA ABHI
A B
PYAR KI YEH RAAT HAI, AB NA JAA
A E A E
CHOTI SI EK BAAT HAI, AB NA JAA
PAL DO PAL KA SAATH HAI, AB NA JAA
JAADO SI EK RAAT HAI, AB NA JAA
A E
AB NA JAA
E
MAATHE PE PYAR KI BOONDEIN
A
BIKHRE SE KAI SAWAAL
E
LAKHON MEIN KITNE MAUSAM
A B
PAL MEIN BEETE KITNE SAAL

Guitar Chords Allah Ke Bande Kailash Kher

Song: Allah Ke Bande Hansde
Singer: Kailash Kher
--------------------------------------------------
Version 1
--------------------------------------------------
Gadd9: 555785
D: x57775
G: 355433
Gsus4: 355533
Cm: x35543
Bm: x24432
Em: 022000 or x79987
Eb: x68886
--------------------------------------------
Strumming [D - Down, U - up, M - mute]

D-DU | D-DU | D -
M--M | M--M | M -

(Gadd9)Toota toota ek parinda (D)aise toota, Ke phir (Gadd9)jud na paaya.
(Gadd9)Loota loota kisne usko (D)aise loota ke phir (Gadd9)ud na paaya…

Strumming starts

|Gadd9 |Gadd9 |

(Gadd9)Toota toota ek parinda (D)aise toota, Ke phir (Gadd9)jud na paaya…
(Gadd9)Loota loota kisne usko (D)aise loota ke phir (Gadd9)ud na paaya…

(G)Girta hua woh (Bm)aasmaan se,
(Em)aakar gira zam(G)een par,
(Gsus4)khaabon mein phir bhi (Gsus4)baadal hi the woh (Gsus4)kehta raha magar(D)…

Ke (G)allah ke (Bm)bande hans de
(Em)Allah ke (G)bande
(G)allah ke (Bm)bande hans de
(C)Jo bhi ho kal (D)phir aayega

(G)allah ke (Bm)bande hans de
(Em)Allah ke (G)bande
(G)allah ke (Bm)bande hans de
(C)Jo bhi ho kal (D)phir aayega

Interlude 1
|G | Eb F|
|G | Eb F|

Stanza 1

(F)Kho ke apne (D)par hi (G)toh us(G)ne tha udna (D)seekha
(F)Kho ke apne (D)par hi (G)toh…
(F)Kho ke apne (D)par hi (G)toh us(G)ne tha udna (D)seekha
(F)Kal ko (D)apne (G)saath mein lele (G)dard bhi tere (G)kaam aayega

Ke (F)allah ke (Bm)bande hans de
(Em)Allah ke (G)bande
(G)Allah ke (Bm)bande hans de
(C)Jo bhi ho kal (D)phir aayega

(G)allah ke (Bm)bande hans de
(Em)Allah ke (G)bande
(G)allah ke (Bm)bande hans de
(C)Jo bhi ho kal (D)phir aayega

Interlude 2
|G |Cm G|
|Bm |Em |
|C D| G |

2nd stanza same is as 1st

(Gadd9)Toota toota ek parinda (D)aise toota, Ke phir (Gadd9)jud na paaya…
(Gadd9)Loota loota kisne usko (D)aise loota ke phir (Gadd9)ud na paaya…

(G)Girta hua woh (Bm)aasmaan se,
(Em)aakar gira zam(G)een par,
(Gsus4)khaabon mein phir bhi (Gsus4)baadal hi the woh (Gsus4)kehta raha magar(D)…

Ke (F)allah ke (Bm)bande hans de
(Em)Allah ke (G)bande
(G)Allah ke (Bm)bande hans de
(C)Jo bhi ho kal (D)phir aayega

--------------------------------------------------
Version 2
--------------------------------------------------
Chords Used
Gadd9: 300003
D: xx0232
G: 320003
C: x32010
Bm: 224432
Em: 022000
F: 133211
----------------

Toota toota ek parinda aise toota, Ke phir jud na paaya.
Gadd9 D Gadd9
Loota loota kisne usko aise loota ke phir ud na paaya...
Gadd9 D Gadd9

Strumming begins
|Gadd9 |Gadd9 |

Toota toota ek parinda aise toota, Ke phir jud na paaya.
Gadd9 D Gadd9
Loota loota kisne usko aise loota ke phir ud na paaya...
Gadd9 D Gadd9
Girta hua woh aasmaan se,
G Bm
aakar gira zameen par,
Em G
khaabon mein phir bhi baadal hi the woh kehta raha magar...
Gsus4 Gsus4 Gsus4 Gsus4 D
Ke allah ke bande hans de
G Bm
Allah ke bande
Em G
Allah ke bande hans de
G Bm
Jo bhi ho kal phir aayega
C D
Allah ke bande hans de
G Bm
Allah ke bande
Em G
Allah ke bande hans de
G Bm
Jo bhi ho kal phir aayega
C D
1st interlude
|G | Eb F|
|G | Eb F|
verse 1
Kho ke apne par hi toh usne tha udna seekha
F D G G D
Kho ke apne par hi toh...
F D G
Kho ke apne par hi toh usne tha udna seekha
F D G G D
Kal ko apne saath mein lele dard bhi tere kaam aayega
F D G G G G
Ke allah ke bande hans de
G Bm
Allah ke bande
27
Em G
Allah ke bande hans de
G Bm
Jo bhi ho kal phir aayega
C D
Allah ke bande hans de
G Bm
Allah ke bande
Em G
Allah ke bande hans de
G Bm
Jo bhi ho kal phir aayega
C D
2nd interlude
|G |Cm G|
|Bm |Em |
|C D| G |
2nd verse same as first
Tukde tukde ho gaya tha har sapna jab woh toota
Tukde tukde ho gaya tha
Tukde tukde ho gaya tha har sapna jab woh toota
Bikhre tukdon mein allah ki marzi ka manzar paayega
Toota toota ek parinda aise toota, Ke phir jud na paaya.
Gadd9 D Gadd9
Loota loota kisne usko aise loota ke phir ud na paaya...
Gadd9 D Gadd9
Girta hua woh aasmaan se,
G Bm
aakar gira zameen par,
Em G
khaabon mein phir bhi baadal hi the woh kehta raha magar...
Gsus4 Gsus4 Gsus4 Gsus4 D
Ke allah ke bande hans de
G Bm
Allah ke bande
Em G
Allah ke bande hans de
28
G Bm
Jo bhi ho kal phir aayega
C D
Allah ke bande hans de
G Bm
Allah ke bande
Em G
Allah ke bande hans de
G Bm
Jo bhi ho kal phir aayega
C D
Ke allah ke bande hans de
G Bm
Allah ke bande
Em G
Allah ke bande hans de
G Bm
Jo bhi ho kal phir aayega
C D
Allah ke bande hans de
G Bm
Allah ke bande
Em G
Allah ke bande hans de
G Bm
Jo bhi ho kal phir aayega
C D

-----------------------
Version 3
----------------------
G# :466544
A#m:688666
B#m:335543
C# :446664
D# :365343
F# :x44322
Gm :244222
E :476454
E#m:446564
-----------------
stan1:
G#---------------------A#m----------------G#
toota toota ek parinda aise toota ki phir jud na paaya
G#---------------------A#m----------------G#
loota loota kisne usko aise loota ki phir ud na paaya
G#-----------B#m-------C#-----------D#
girta hua wo aasman se aakar gira zameen par
G#-----------------------------------------------A#m
khwabo mein phir bhi baadal hi the wo kehta raha magar ke
G#-------B#m----------C#-------D#
allah ke bande hasdey allah ke bandey
G# ------B#m-----------C#------------D#
allah ke bandey hasdey jo bhi ho kal phir ayega
53
music1:
chords
G#-E-F#- (2 times)
stan2:
F#---------Gm-----G#---------------A#m
khoke apne par hi to usne tha udna sikha
F#---------Gm-----G#
khoke apne par hi to hoooooo
F#---------Gm-----G#---------------A#m
khoke apne par hi to usne tha udna sikha
E------Gm---A#m
gam ko apne sath me lele dard bhi tere kaam ayega
G#-------B#m----------C#-------D#
allah ke bande hasdey allah ke bandey
G# ------B#m-----------C#------------D#
allah ke bandey hasdey jo bhi ho kal phir ayega
music2:
G#-E-G#-E#m-C#-D#
stan3:
F#----------Gm------G#-------------------A#m
tukde tukde ho gaya tha har sapna jab wo toota
F#----------Gm------G#-------------------A#m
tukde tukde ho gaya tha har sapna jab wo toota
E------Gm----A#m
bikhre tukdo mein allah ke marzee ka manzar payega
G#-------B#m----------C#-------D#
allah ke bande hasdey allah ke bandey
G# ------B#m-----------C#------------D#
allah ke bandey hasdey jo bhi ho kal phir ayega
stan4:
repeatstan1
G#-------B#m----------C#-------D#
allah ke bande hasdey allah ke bandey
G# ------B#m-----------C#------------D#
allah ke bandey hasdey jo bhi ho kal phir ayega

Guitar Chords Tanha Dil Tanha Safar

Aankhon mein sapne liye
Cm
Ghar se hum chal to diye
Gm
Jaane yeh raahein ab le jaayengi kahan
Eb F
Mitti ki khushboo aaye
Cm
Palkon pe aansu laaye
Gm
Palkon pe reh jaayega yaadon ke jahan
Eb F
Manzil nayi hai anjaana hai kaarvaan
Eb F
Chalna akele hai yahan
Eb F
Tanha dil, tanha safar
Cm Gm
Dhoonde tujhe phir kyoon nazar
Eb F
Tanha dil, tanha safar
Cm Gm
Dhoonde tujhe phir kyoon nazar
Eb F
Tanha dil
Cm

Guitar Chords O Sanam - Lucky Ali

The Hummming chords are as follows
G....C....A....G....
hmm..hmm..hmm..hmm..
G....C....A....G....
hmm..hmm..hmm..hmm..
G Am
Sham savarea teri
G Am
yadain aati hain
G Am
Hava ke dil ko merea
G D
Yoon tadpati hain
C D C D G
O sanam mohoobaat kasam Hm....
G Am
Milke bichadena tho
G Am
Dastoor ho gaya
G Am
Yahoon main teri main jo
G D
Door ho gaya
C D C D G
O Sanam in yadoon ki kasam Hm....
G....C....A....G....
hmm..hmm..hmm..hmm..
16
G....C....A....G....
hmm..hmm..hmm..hmm..
G D
Samjhea jamana ki dil hai khilona
C D
Jana hai ab kaya hai dil ka lagana
Am D
Nazron se na ab hum ko churana
C D G
Mar bhi gayea tho bhool na jaana Hmm...
G Am G Am
Akhon main basi ho par door ho kahin
G Am G D
Dil kea kareeb ho yeah mujh ko hai yakeen
C D C D G
O sanam terea payaar ki kasam Hmm...
G....C....A....G....
hmm..hmm..hmm..hmm..
G....C....A....G....
hmm..hmm..hmm..hmm..
and the song fades.........

Guitar Chords Dum Maaro Dum

Dm
Dum maaro Dum
Dm
Mitt jaaye ghum
C
bolo subho shaam
Dm
hare krishna hare raam
Dm .....................C
Duniya ne humko diya kya
C.......................Bb
duniya se hamne liya kya
Bb.......................A
hum sabki parwa kare kyun
A....................Dm
sabne hamara kiya kya
Dm C Bb A
AaaaaaaAaAaaaaaaaaaa...

Jab Chaahe jeeyenge marenge
Duniyaa se ham naa Darenge
Hamko naa roke zamana, jo chahenge ham karenge
Aa ...
Dam maaro dam ...dhan tan dhan

Guitar Chords Woh Lamhe Woh Baaten

G#m.................
Wo Lamhe, wo baate,
.......F#...
Koi na jaane,
f#(or G#m).......
Thi kaisi raate,
......E.........
Hooo, barsaate,
................f#....
Wo bheegi bheegi yaade,
Wo bheegi bheegi yaade...
G#m.............
Na main jaanoun,
.....f#
Na tu jaane,
(aaah)
.............G#m................
Kaisa hai ye mausam,
.......F#..........
Koi na jaane,
...........B..........
se hai fizaa aayi,
..............F#.........
Ghamon ki dhoop sang laayi,
............E...
Khafaa hogaye hum,
..........F#
Judaa hogaye hum,
(same as above)
Wo Lamhe, wo baatein,
Koi na jaane,
Thi kaisi raatein,
Hooo, barsaatein,
Wo bheegi bheegi yaadein,
Wo bheegi bheegi yaadein...
(hoooo...)
G#m
Saagar ki,
G#m
Gehraayi se,
...F#
Gehra hai,
Apna pyaar,
....E
Sehraoun ki,
....E
In hawaon me,
......F#.............
Kaise aayeee-gi bahaar,
...............B.......
Kahan se ye hawa aayi,
................F#.........
10
Ghataayen kaali kyoun chhaayi,
.......E........
Khafaa hogaye hum,
.......F#.......
Judaa hogaye hum,
Wo Lamhe, wo baatein,
Koi na jaane,
Thi kaisi raatein,
Hooo, barsaatein,
Wo bheegi bheegi yaadein,
Wo bheegi bheegi yaadein...
(hooooo hooooooo)
(hoooo hoooo, hoo hooo, hooo ho, ho ho ho)